Peg Aloi
The second season of The White Lotus is decidedly darker than the first, and the air of decadence and luxury is overshadowed by a disturbing aura of danger, even evil.
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The Midnight Club contains all the ingredients necessary for a perfect spooky season binge: a Gothic mansion, extremely disaffected yet self-aware young people, moody cinematography, and gorgeous interiors, including the coolest library you’ve ever seen.
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In addition to being a clever paranormal thriller, Something in the Dirt is a brilliant commentary on our burgeoning world of content creation.
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A wrap-up of the London Film Festival that focuses on two favorites, Inland and The Store.
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Flux Gourmet occasionally reminded me of the films of Peter Greenaway, who often juxtaposed the grotesque or disturbing with the beautiful and ethereal.
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Creator Neil Gaiman has said for years that he didn’t want an adaptation to be made unless the creative team could do the original justice. Well, justice has been done: this is a seismic cultural event.
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This series presents a compelling perspective on the relativity of determining crime and punishment.
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This clever, funny, sexy series from HBO Max is my pick for the best new feel-good retro comedy of 2022.
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Hellbender is not just a fabulous indie film about witches, it’s also an original coming-of-age horror movie.
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WATCH CLOSELY: Post-Emmy Recommendations
Television is the new art cinema, chock full of superb examples of storytelling across multiple genres.
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