Olivia D'Ambrosio

Theater Review” “Intimate Exchanges” — Semi-furious Comic Froth

It’s good fun and, for a while at least, it’s interesting to watch the actors fulfill the play’s impish demands.

David Ireland’s use of coded sectarian language helps him paint a vivid picture of the Belfast his characters call home.

Bridge Rep Theater director Olivia D’Ambrosio has not taken message-mongering to heart in this lively production of a rarely produced play.

With Julius Caesar, Bridge Repertory shows that it can assemble a strong ensemble and put together a memorable sensory experience.

Sadie September 16, 2019 at 6:12 pm on Book Review: “Where the Crawdads Sing” — Are the Rural Poor Noble Savages?The reviewer (and negative commentators) missed the point of the story. It was about nature vs. nurture. Kya had no...
Allen Michie September 12, 2019 at 9:26 am on Jazz CD Review: Miles Davis’ “Rubberband” — Stretch Your EarsMr. Giles, Thanks for your reply. MFs like myself will always be envious of the opportunities you, Mr. Hall, and...
Zane Giles September 11, 2019 at 9:21 pm on Jazz CD Review: Miles Davis’ “Rubberband” — Stretch Your EarsAs one of the producers on Rubberband, I must say I respect your honest review of the project. But in...
Steve Provizer September 11, 2019 at 6:08 pm on Jazz CD Review: Miles Davis’ “Rubberband” — Stretch Your EarsYes, a very different category, as is "In a Silent Way."
Allen Michie September 11, 2019 at 5:36 pm on Jazz CD Review: Miles Davis’ “Rubberband” — Stretch Your EarsYou're right, thanks! Actually the first electric Miles is on "Miles in the Sky," recorded in 1968. Since Herbie Hancock...