Two autobiographies by women who had some experience in legitimate theater, but they each gave their strongest allegiance to dance, specifically one choreographer.
Each of the ten or so music-less sections showed us a different way of composing movement.
Filmmaker Alla Kovgan calls Cunningham 3D a new juncture at the crossroads of dance, cinema, music, visual arts, and 3D technology.
This week the Cunningham Dance Foundation released The Legacy Plan, a series of steps to document and preserve Merce Cunningham’s choreographies.
The second installment in Debra Cash’s coverage of the ICA’s ambitious Dance/Draw series.