Here was another (all-too) typical example of ballet companies reinforcing a patriarchy that hardly reflects the number of women in their ranks.
Mary Paula Hunter
The Night Watch supplies a powerful kickoff for the Gamm Theatre’s 2019 season.
Our critics pick some of the highlights of the year in dance.
An intriguing cross-disciplinary concept gave birth to a pallid, underrehearsed production.
We were reminded of how difficult it is to create an evening-length’s choreography without a storyline, musical structure, or a well-developed concept
The WTG production succeeds largely because it heightens the absurdity of a play that takes a comic look at catastrophe.
Perhaps the theatre of millennials will resemble Reality TV, resistant to suggestive metaphor and the rewards of complex narration.
A quartet of critics serve up the highlights in dance for 2017.
What we don’t know about the brain and the heart drives this at times unwieldy, yet ultimately satisfying, theatrical work.
A festival of Gumboot and Pantsula at Rhode Island College featured a large cast of virtuosic dancers and engaging musicians.