It’s worth pointing out that Martin Scorsese’s documentaries, especially his music-based ones, can be as powerful as his fictional work.
The privilege Edith Wharton’s characters swim in has not disappeared. If anything, it’s expanded farther into the social stratosphere.
Bravura performances are provided by all involved, making Martin Scorsese’s “The Wolf of Wall Street” quite possibly the best film of the year.
I had written Martin Scorsese off, and never expected he had a “Hugo” in him. That he did is the among the touching things in this film.