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Martin Pearlman

Performing Arts Series: Stories of Surviving COVID-19 — Boston Baroque

“At Boston Baroque, as we look to the future, we take comfort in knowing that redefining ourselves is in our organization’s DNA.”

By: Bill Marx Filed Under: Classical Music, Commentary, Featured Tagged: Boston Baroque, COVID-19, Jennifer Ritvo Hughes, Martin Pearlman

Classical Concert Review: Boston Baroque Celebrates Monteverdi — Beautifully

I am starting to love Vespers of 1610 deeply, so I am happy to be given so many opportunities by first-rate groups to re-experience it.

By: Susan Miron Filed Under: Classical Music, Featured, Music, Review Tagged: Boston Baroque, Claudio Monteverdi, Martin Pearlman, Monteverdi, Teresa Wakim, Vespers, Vespers of 1610, Yulia van Doren

Classical Music Feature: A Beautiful Friendship Between Food and Music — Boston Baroque and UpStairs on the Square

Conductor Martin Pearlman and restaurant proprietor Mary-Catherine Deibel talk about their 35 year-old friendship.

By: Arts Fuse Editor Filed Under: Featured, Food, Music Tagged: Banchetto Musicale, Boston Baroque, Deborah Hughes, Martin Pearlman, Mary-Catherine Deibel, Upstairs on the Square

Fuse Commentary: 2013-1014 Orchestral Season Preview

So, even though certain pieces by Mendelssohn and Beethoven seem to be turning up with greater frequency than perhaps may be healthy, there is still much to admire and look forward to in the upcoming orchestral season.

By: Jonathan Blumhofer Filed Under: Classical Music, Commentary, Featured, Music Tagged: A Far Cry, Boston Baroque, Boston Modern Orchestra Project, Boston Philharmonic Youth Orchestra, Boston Symphony Orchestra, Boston Youth Symphony Orchestra, Boston-Philharmonic, Cantata Singers, Celebrity-Series, Lexington Symphony, Martin Pearlman, New-England-Philharmonic, The Handel and Haydn Society

Fuse Opera Review: Handel’s “Partenope” — An Evening of Pure Fun from Boston Baroque

“Partenope” is pure fun. Boston Baroque realized that a production of “Partenope” should eschew pretensions and embrace an opportunity to perform excellent writing by Handel and to field a compelling cast.

By: Anthony J. Palmer Filed Under: Classical Music, Featured, Music, Opera Tagged: Boston Baroque, Martin Pearlman, Partenope, Queen of Naples

Fuse Opera Review: Back to the Future — Boston Baroque’s “Orfeo ed Euridice”

Boston Baroque and conductor Martin Pearlman scored another triumph with their semi-staged original version of Gluck’s revolutionary creation, an opera that, to its detriment, has often been revised for performance.

By: Anthony J. Palmer Filed Under: Classical Music, Featured, Music, Opera Tagged: Boston Baroque, Christoph Willibald Gluck, Martin Pearlman, Orfeo ed Euridice, Owen Willetts

Fuse Concert Review: Boston Baroque at Sanders Theater, January 1, 2012

Boston Baroque closed out 2011 and began 2012 with an engaging program of pieces by Corelli, Handel, Bach, and Vivaldi that featured some rather unfamiliar instruments and repertoire. Martin Pearlman, the group’s founder and music director, conducted this thoroughly enjoyable concert.

By: Jonathan Blumhofer Filed Under: Classical Music, Featured, Music Tagged: Baroque, Boston Baroque, Martin Pearlman, Mary Wilson

Coming Attractions in Classical Music: October 2009

By Caldwell Titcomb Oct 4: Celebrated mezzo-soprano Frederika von Stade gives her farewell Boston performance to inaugurate the Celebrity Series’ new season. Also sharing the spotlight will be the famed soprano Dame Kiri Te Kanawa. Symphony Hall, 3:00 p.m.

By: Caldwell Titcomb Filed Under: Classical Music, Coming Attractions, Music, Opera Tagged: Boston, Boston Baroque, Boston Classical Orchestra, Boston Conservatory Wind Ensemble and Chorale, Boston Symphony Orchestra, Caldwell-Titcomb, Cambridge, Celebrity-Series, classical, concert, conductor, Federico Cortese, Frederika von Stade, Gustavo-Dudamel, Handel, John Adams, Los Angeles Philharmonic, Ludovic Morlot, Martin Pearlman, Memorial Church, Murray Forbes, Music, Opera, Opera Boston, organ, PBS, Rossini, Somerville, Steven Lipsitt, The Chiara Quartet

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