Kurt-Weill

Classical Album Review: World-Premiere Recording of Kurt Weill’s “Prophets” and Thomas Hampson in Weill’s “Whitman Songs”

November 12, 2023
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A world-premiere recording of Kurt Weill’s “Prophets” — originally intended as the last act of “The Eternal Road” — with excellent singers, plus Thomas Hampson in Weill’s Walt Whitman Songs.

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Classical Album Review: HK Gruber conducts Kurt Weill

March 31, 2023
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This gripping and engaging release from HK Gruber and the Swedish Chamber Orchestra manages to thread the needle between the various strands of Kurt Weill’s musical personality.

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Classical Album Review: Weill & Shostakovich Symphonies

July 28, 2022
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Taken together, this is a release that showcases both the Rotterdam Philharmonic Orchestra and its chief conductor – as well as their repertoire choices – in a brilliant light.

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Listening During Covid, Part 7: Celebrating the Diversity of American Music

October 31, 2021
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New CD releases provide splendid performances of remarkable American music, from Barber and Bernstein to recently rediscovered Black composers Florence Price and William Grant Still.

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Opera Review: BLO’s “Threepenny Opera” — Neither Fish Nor Fowl

March 22, 2018
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It would have been wonderful to have seen either a faithful version of Threepenny Opera in German or a boldly conceived contemporary version.

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Classical Music Review: ‘An American Sampler’

April 1, 2008
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By Caldwell Titcomb The Spectrum Singers, founded in 1980 and still led by John W. Ehrlich, presented a concert on March 29 entitled “An American Sampler.” Taking place in Emmanuel Church, the program was devoted to six composers of distinction, with particular emphasis on Aaron Copland (1900-1990) and Irving Fine (1914-1962). American composer Aaron Copland

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