Jim Kates
Her poems are sassy.
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Translator Dan Veach invites us to “pull up a bench in the mead hall, grab a brew, and enjoy a jazzy new performance.”
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It is the loss of memories and the meaning of memory that dominate, generating speculations that draw the reader into and through Maria Stepanova’s argument and interpretations.
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Poet Paul Celan has come to embody in person and in print the agonies of a half century of European culture.
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In Henri Cole’s best poems, the outside and the inside interpenetrate and merge.
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For a generation of Russians, Joseph Brodsky was the poet, almost a code-word in the discourse of the intelligentsia, like Nabokov.
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In these poems, contemplation, serenity, and service are the order of the day.
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The overall effect is one of a genial, superficial club lecture on reading and writing poetry, punctuated by Frost’s Greatest Hits.
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Carolyn Michel’s Rose is the sociable stranger on the bus who tempts you to miss your stop so you can hear her out to the end.
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Dumas’ Camille is nothing if not ambitious. Such complexity is seldom found on a summer stage.
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