The boys (Lucas Spiro and Matt Hanson) are joined once again by Arts Fuse editor-in-chief Bill Marx.
In the case of a scene set in the Lodz Ghetto, the lineup of characters on the way to the concentration camps veered, for me, close to Holocaust porn.
Indecent is a play of contrasts: piety versus blasphemy, joy versus heartbreak.
“Yiddish is above all a language of yearning, a language of anxiety.”
Sweat and Indecent serve as forceful reminders that art matters — as if proof was needed.