Igor Golyak
The Gaaga’s humor is driven by rage, anger, and disgust, emotions that are not often found in our domesticated (for easy consumption) theater scene.
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By all means, explore history’s tragedies on stage — virtual or otherwise. But always keep a sharp, invigorating eye on the present’s tragedies-in-the-making.
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Audiences who are open to a show that provides both riotous comedy and bracing truths will find plenty to think about in this deconstruction of one of the Bard’s most problematic problem plays.
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This was an enormously exciting production of Merchant of Venice, a reminder that theater can be (in fact, must be!) nervy.
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Director Igor Golyak takes major chances in presenting a version of The Seagull that’s self-consciously about The Seagull. And they pay off.
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This marvelous production pulls off a tricky balance — vibrant bursts of creative energy are put at the service of illuminating the thorny nature of memory and guilt.
Read MoreThis production’s approach to Bulgakov’s source material is refreshing in its directness; it’s also bursting with visual and auditory inventiveness.
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