This exciting look at Shakespeare’s tragedy is a decidedly gothic affair.
Royal National Theatre Director Nicholas Hytner is determined to make the drama as relevant to our own times as to the Bard’s. The setting is a somewhat flimsy, gray-walled salon. Theatrical apparatuses are visible: a klieg light here, a fresnel [...]
It should be pointed out that in London it is possible to see more shows in a limited time than one can do in the United States. Why? Because it has long been the sensible practice to stagger weekday matinees. [...]