Gunther Schuller

Listening During Covid, Part 9: Intriguing New Works and New-Sounding C. P. E. Bach

March 17, 2022
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A varied buffet of fresh musical experiences from recent decades and from the mid-1700s.

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Opera CD Review: Gunther Schuller’s Splendid 1970 Children’s Opera Gets Its World-Premiere Recording

May 17, 2020
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A Grimm, but not grim, opera about a Fisherman, his Wife, their Cat, and a wish-granting Flounder.

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Music Feature: Best Classical Performances of 2015

December 17, 2015
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Of course, it’s a tricky business to summarize a classical music scene as busy and wide as Boston’s.

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Concert Review: Boston Modern Orchestra Project’s Gunther Schuller Memorial

November 25, 2015
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As a composer, Gunther Schuller’s legacy is complex and has yet to be settled. Sorting through it all will constitute a great, welcome adventure.

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Music Commentary: Jazz and the Piano Concerto — Ave Sine Vale

July 2, 2015
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The great mistake we make as listeners or viewers is passivity. Music deserves and needs our active involvement.

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Music Appreciation: Gunther Schuller –The Eloquent Ear

June 30, 2015
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Gunther Schuller dove into jazz with passionate hunger, in the process dispelling cultural, class, and racial prejudices.

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Music Commentary Series: Jazz and the Piano Concerto — The Zebra in the Room

May 22, 2015
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Much more work could be done fertilizing the fields of cross-cultural music, sowing seeds collected from the great touchstones of American culture – innovation, integration, risk, reward.

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Music Commentary Series: Jazz and the Piano Concerto — The Straddlers, Part One

May 4, 2015
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Time to look at the maverick mavericks, composers with feet firmly planted on either side of the dividing line between jazz and classical.

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Fuse Music Commentary Series: Jazz and the Piano Concerto –Revisiting the Jazz Side

April 16, 2015
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What I’ve learned from three years of research and listening is that the piano concerto is an ideal vehicle with which individual composers can experiment

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Concert Review: NEC Winds Play Mingus, Schuller, Babbitt (and More)

March 12, 2014
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The five compositions and one de facto suite played at the NEC Winds and Winds Ensemble performance spoke with six different voices and carried six different messages.

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