Gil-Rose
Arnold Rosner’s writing in each act is strongly contrapuntal, metrically unpredictable, and idiomatically scored. The music is marked by constantly shifting colors, a strong sense of rhythm, and a healthy dose of lyricism.
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John Corigliano’s take on goodbyes is, if not exactly bitter, then full of sorrow: few happy memories to be had here.
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Above all, Joan Tower’s music doesn’t waste your time.
Read MoreSaturday’s performance ranked among Odyssey Opera’s finest and most artistically satisfying undertakings.
Read MoreIt was a treat to experience Philip Glass’s orchestral music live and in-person.
Read MoreBMOP releases a fitting, moving tribute to a giant of contemporary music; Johannes Moser turns in a sweeping performance of Elgar’s Cello Concerto.
Read More“I have always been a fan of horror movies, and I’m sure that was part of the attraction to me.”
Read MoreThe BMOP’s opening concert featured the group succeeding at an important part of its mission: to perform unfairly overlooked American music.
Read MoreFor my money, the biggest star on Friday night turned out to be none other than Antonin Dvořák.
Read More“Would I love to do these big operas in Symphony Hall? Yes. When I feel like I’ve got two-thousand people to attend, I’ll move over to Symphony Hall.”
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