George-Bernard-Shaw

Theater Commentary: Impressions of Canada’s Shaw Festival 2023, Part One

September 5, 2023
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For a semi-Shavian like myself, the Shaw Festival once again proved that it was the place to be.

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Theater Review: Bedlam’s “Pygmalion” — An Enjoyable Excursion into Shavian Feminism

February 12, 2019
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The generally enjoyable Bedlam production of Pygmalion doesn’t quite settle for the glucose bait.

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Theater Review: “The Man of Destiny” — A Shavian McGuffin

August 16, 2018
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George Bernard Shaw’s The Man of Destiny could be an evening of delight with a frisson of cerebral exercise.

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Theater Review: “The Doctor’s Dilemma” — Problem Solved

August 17, 2017
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The ethical deliberations and the professional backbiting and banter of the doctors fare well in the skilled hands of the director and cast.

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Theater Review: A Fresh Take on GBS’s “Pygmalion”

August 4, 2016
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The staging is a brash translation of Shaw’s early twentieth-century delicacy into twenty-first century Yankee sensibilities.

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Theater Review: A ‘Loverly’ “My Fair Lady” From the Lyric Stage

September 7, 2015
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Simplicity is the key to director Scott Edmiston’s passionate vision for this musical.

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Theater Review: Bedlam’s “Saint Joan” — Ferociously Relevant

January 20, 2015
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The virtuoso approach of Bedlam’s Saint Joan, its unpretentious immediacy, makes this production an exuberant Shavian history lesson that should not to be missed.

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Theater Review: A Devilishly Good “Major Barbara” at Canada’s Shaw Festival

September 8, 2013
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The quality of this production of Major Barbara and the seriousness which with the Shaw Festival addresses every aspect of theater makes the long trip from Boston to Niagara-on- the-Lake well worth the while.

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Theater Review: A Few Thoughts on Williamstown Theatre Festival’s “Pygmalion”

July 24, 2013
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Surely the lesson of “Pygmalion” is that Eliza should never look back. She doesn’t need to.

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Theater Review: “Pygmalion” at the Williamstown Theatre Festival — An Extraordinary Evening

July 19, 2013
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This production of “Pygmalion” is also a case study in how an accomplished director –- former Huntington Theatre Company director Nicholas Martin – weaves every part of his team into a seamless whole.

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