A pianist with an uncommonly sensitive touch, Garrick Ohlsson’s playing encompasses poeticism and technical strength in just about equal measure.
While the BSO’s inventive program this week had the potential to plumb the heights and depths of human experience, Saturday’s performance generally lacked the necessary conviction, purpose, and mystery required to do so.
Pianist Garrick Ohlsson is helped by having unusually wide stretches in both hands. And like Chopin’s own playing, he never resorted to harshness or banging even in climactic passages. By Caldwell Titcomb Of all the musical events scheduled for this season I was most eagerly looking forward to the November 14 Symphony Hall recital by […]
By Helen Epstein After some peculiar programming last week, Tanglewood’s current weekend got off to a rousing start on Thursday night as Garrick Ohlsson gave a haunting, introspective, and idiosyncratic performance of Chopin. The program, emotion-packed and filled with delicacies as though the pianist could not bear to leave anything out, included nocturnes and mazurkas, […]