Florence Price
Symphonic music wasn’t composer Florence Price’s strong suit. Rather, she was much more at home working in smaller forms or for her own instrument.
Read More
Two first-rate albums: pianist Lara Downes successfully reconsiders Scott Joplin and the New York Youth Symphony plays Florence Price and others with panache.
Read More
This is an album that’s at once musically significant but, more than that, thoroughly enjoyable. How tragic that, largely on account of her race and gender, Florence Price’s music was almost erased.
Read More
Florence Price’s voice and the richness and complexity of an almost-entirely neglected body of symphonic music by Black American composers can be heard in this excellent recording.
Read More
New CD releases provide splendid performances of remarkable American music, from Barber and Bernstein to recently rediscovered Black composers Florence Price and William Grant Still.
Read More
This disc from the London-based Kaleidoscope Chamber Collective pairs piano quintets by Amy Beach and Florence Price with Samuel Barber’s haunting “Dover Beach.”
Read More
Arguably, the strongest entry in the BSO’s complete Shostakovich symphony cycle thus far; Esa-Pekka Salonen’s 2016 Cello Concerto is emotionally direct and, at times, simply gorgeous; the resurgence of interest in the music of Boston-educated composer Florence Price is a good thing.
Read More
Fine recordings of symphonies by neglected American composers Florence Price and George Antheil; and a curious album from Cornelius Meister and the ORF Radio-Sinfonieorchester Wien.
Read More
Rethinking the Repertoire #22 – Florence Price’s “Mississippi River Suite”
Composer Florence Price’s lack of acceptance into the American canon is shameful.
Read More