Film
THE FUTURE, director/actor Miranda July’s followup to 2005’s ME AND YOU AND EVERYONE WE KNOW is brave, unexpectedly poignant and devastatingly sad.
Read MoreQUEEN TO PLAY is an offbeat feminist fable, set in a gorgeous but dirt-poor and provincial part of Corsica.
Read MoreTime travel in movies, whether treated as farce or serious sci-fi mind-bending, sometimes excites us by challenging the idea that we’re trapped in a linear chronology from which we cannot escape, racking up regrets, mistakes, and old-age as we go
Read MoreThere are wonderful, beautiful things about The Tree of Life. But despite being innovative and important, despite inspiring awe, it envisions a kind of transcendent greatness that it itself does not quite embody. Tree of Life. Directed by Terrence Malick. By Taylor Adams. Nothing if not prophetic, director Terrence Malick quotes from The Book of…
Read MoreLuckily, there’s plenty to this film besides it’s Middle Eastern setting. INCENDIES focuses primarily on relationships and human drama, while politics form the film’s periphery.
Read More“13 Assassins” is an affectionate salute to old-fashioned swordplay films, just as occasionally artful as it needs to be, and ultimately, it’s a highly-satisfying romp through and through. Is there really anything wrong with that?
Read MoreThe real draw of “Win Win” is its original and earnest story, combined with its unexpected humor. It’s not an overly complicated plot; it’s just life with all of its ups and downs.
Read MoreIt may be beautifully photographed, but this attempt to capture Charlotte Bronte’s literary classic on screen doesn’t bring anything new to the table, aside from playing up the hooking up in the manor. Jane Eyre should be more than a simple country romance.
Read MoreBlack Swan isn’t about surpassing ordinary limits. It’s a film about a masochist seen through the eyes of a sadist. The film could be a textbook demonstration of what academics refer to as the male gaze—with a pretty young thing poked and dismembered under a misogynist lens. By Debra Cash Darren Aronofsky has said that…
Read MoreJulie Taymor’s film version of William Shakespeare’s The Tempest is conclusive proof that just because we can do something with technology does not mean that we should. Less is often more, and one great text in hand is worth a dozen computers in the mix. And what was the director thinking with the racist portrayal…
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Music Commentary: New Orleans Jazz and Heritage Fest versus French Quarter Fest