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By Caldwell Titcomb Murray Perahia is the greatest living pianist – and you can take that to the bank. In 1974 I went to Boston’s Jordan Hall to hear a recital by the famous British tenor Peter Pears (1910-86), who would be knighted four years later. At the end of the concert it was clear…
Read MoreBy Caldwell Titcomb Conductor Valery Gergiev’s podium demeanor is rather bizarre, but his musicianship is first-class. Valery Gergiev is one of the busiest musicians in the world. Among other assignments the 55-year-old conductor has headed the Mariinsky Theatre (formerly the Kirov Opera) for two decades, is principal guest conductor of the Metropolitan Opera in New…
Read MoreBy Caldwell Titcomb Note: Rusalka is transferring to the West End’s London Coliseum from March 28 to April 15, 2020. Czech opera is not often mounted in these parts. The two major composers were Bedrich Smetana (1824-84) and Antonín Dvořák (1841-1904). The latter wrote ten operas, some comic and some tragic. Among Czech natives, the…
Read MoreBy Helen Epstein, World Books Contributor Although September 1, 1939 — the day Hitler invaded Poland — is regarded as the beginning of the Second World War, Czechs remember March 15, 1939 as the day it began for them. Seventy years ago the German armed forces occupied what is now the Czech Republic and declared…
Read MoreBy Peter Walsh “There’s a gude time coming.” —Sir Walter Scott, Rob Roy (1817) Americans, always attuned to the prices and classes of commodity, assume that the arts fall into the expensive luxury category: an ornament to good times but destined to wilt, like a hot house orchid, under the cold wind of recession. History…
Read MoreBy Caldwell Titcomb Conductor Benjamin Zander celebrates the 30th anniversary of the Boston Philharmonic and his 70th birthday. The two greatest post-Brahms symphonists – Gustav Mahler and Jean Sibelius – were markedly unalike. In 1907 their paths happened to cross in Helsinki, and they had several conversations. When the talk turned to the essence of…
Read MoreBy Harvey Blume The Economy Cometh Niall Ferguson, “The Ascent of Money,” Penguin Press, 2008 It’s way past time to utter the dread G word about the economy, the G word being “Godzilla.” The economy as we now experience it, is like the monster in the 1998 American remake: it rises from unfathomable depths before…
Read MoreBy Bill Marx Susan Bernofsky’s translation of Robert Walser’s 1908 novel won her a 2007 PEN Translation Fund Award. She’s followed that up by translating the Swiss writer’s first novel, “The Tanners.” A recent World Books podcast explores two recent translations from the German of novels by the mysterious Swiss writer Robert Walser, an author…
Read MoreBy Caldwell Titcomb Some of the dancing feet in a scene from the Boston Conservatory production of “42nd Street.” I don’t know about you, but I’ve always been a sucker for tapdancing – whether the unsurpassed solo hoofing of the late Gregory Hines (1946-2003) or an entire stage of unison clickety-clacking. Tapdancing was a stage…
Read MoreBy Gary Schwartz Director Paul Thomas Anderson is no Upton Sinclair. Half an hour into Paul Thomas Anderson’s film There Will be Blood, shown on Dutch television the other night, I told Loekie how intensely happy I was that the film existed. A few months ago I read the book on which the film is…
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