Diane Paulus
This is a rich evening of theater because it takes up social and psychological problems that aren’t ordinarily addressed on our stages.
Read MoreAn amiable musical revue about two guys who kick up their heels after global warming finally boils over.
Read MoreIf the fate of life on earth comes down to mother and daughter bonding over a racy passage in Anaïs Nin, then he whales should just call it a day.
Read MoreThe $3 million American Repertory Theater version of Finding Neverland remains a work in progress, a “tryout” as it has been dubbed, and it feels just like that.
Read MoreStage coverage at the Boston Globe/NPR brain trust is generally dedicated to serving the rich and the trendy — the publicity gum drop for Finding Neverland is the latest evidence that the fix is in for the fat cats.
Read MoreA major regional theater is turning itself into a launching pad for Broadway/Las Vegas blockbusters, with Hollywood pouring cash and advice into the pipeline. .
Read MoreWomen are the dominant force in “Amaluna.” They command the evening’s whirligig of a stage as aerialists, clowns, musicians, dancers, and contortionists.
Read MoreIs it the Bard or a magic show? The prestidigitation wins out given the wanness of the dramatic proceedings.
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Theater Commentary: “Trumpismo avant la lettre” and the Elliot Norton Awards
Hypnotized by celebrity and the monied class, our stage critics have become a gaggle of cheerleaders, feckless enough to call Diane Paulus a “visionary.”
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