David Greenham
A comedy about slavery poses considerable challenges in our #blacklivesmatter times, but the characters bounce gleefully through endless rounds of verbal sparring.
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We need a satire that takes Trump’s radical threat more seriously than Vicuña.
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Stephen Adly Guirgis has written a fine play about those who would blur their minds rather than admit just how tired they are.
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With this fun and irreverent staging of Cyrano, GSC Artistic Director Robert Walsh has thrown audiences a delightful curve.
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Do the games of the Marquise and Valmont still have the same old sinful fire and political relevance?
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Open Theatre Project’s Gay Shorts is bold, out, and unafraid.
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Director Ellie Heyman and her talented cast have their hands full with this new work because it is, in some ways, a tale of two musicals.
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As long as we’re sipping the truth serum wine, the biggest obstacle presented by the Storm Warnings Repertory Theatre production is — itself.
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With sufficient revision, Marisa Smith’s genial farce could well command the rom-com slot virtually every regional and community theater in the world yearns to fill.
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At the heart of The Women Who Mapped The Stars is a drama about the desire of significant female astronomers to be heard and respected.
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