School Girls; Or, The African Mean Girls Play is a serious comedy that takes aim at our provinciality and ignorance.
Once is a wonderful musical and the Speakeasy Stage production does exquisitely right by its considerable merits.
The Half-Light is a play about ghosts that, while offering intimations of mortality, ends up exuding a charming and infectious romantic spirit.
Heartland proffers a rare combination — it is a prescient history lesson that also works dramatically.
Our theater critics pick some of the outstanding productions of the year.
This year’s version – the 48th! – of The Christmas Revels is delightful and refreshing way to bid adieu to a tumultuous 2018.
A comedy about slavery poses considerable challenges in our #blacklivesmatter times, but the characters bounce gleefully through endless rounds of verbal sparring.
We need a satire that takes Trump’s radical threat more seriously than Vicuña.
Stephen Adly Guirgis has written a fine play about those who would blur their minds rather than admit just how tired they are.
With this fun and irreverent staging of Cyrano, GSC Artistic Director Robert Walsh has thrown audiences a delightful curve.