Every performance of opera should leave an audience so exhilarated.
Claire Tomalin narrates her story with a prototypically English stiff upper lip, and a reticence about the personal.
This is a first-rate production of a true American classic.
This slender memoir reads like a rambling conversation with a literary stranger you meet on a train.
Mothers and Sons is one of veteran playwright Terrence NcNally’s finest works.
The Barrington Stage Company’s moving and fiercely energetic production brings West Side Story back to the stage with a bang.
August Strindberg’s Creditors turns out to be a play that speaks chillingly to our time.
Atung and Moy have a lot to say about American history and culture — acutely informed by the playwright’s 21st century sensibility and identity politics.
The action is set in an incongruous and ahistorical no-man’s land, adrift between realistic drama and farce.
Who knew that there were dozens of first-rate female American, Scandinavian, German, Swiss, French and Russian painters in Paris in the second half of the 19th century?