Craig Taborn

Jazz Album Review: They Must Have Been “hEARoes”

June 23, 2023
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The trio on hEARoes is enthralling; it doesn’t sound like anything I have heard.

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Jazz Album Reviews: Two Trios That Venture Far and Away

May 16, 2023
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Two new releases, led respectively by a saxophonist and a bassist, add to the growing mystique of trios in contemporary jazz.

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Jazz Album Review: Ches Smith’s “Interpret It Well” — Confident Improvisations

May 17, 2022
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I am not sure where the track titles come from, but I am guessing the problems the band had getting together under Covid must have something to do with them.

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Album Roundup: Adventurous Solo Performances from Jazz Pianists

December 6, 2021
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Solo performance is still a way ahead for jazz pianists, judging from four CDs released in 2021.

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Jazz CD Review: Two Quartets Discover Exhilarating New Terrain

September 1, 2019
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The powerful quartets on The People I Love and Terra Incognita work toward locating places beyond notation where, in each moment, new vistas may emerge.

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Jazz CD Survey: Snapshots and Concepts, Summer 2018

July 21, 2018
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A baker’s dozen of recordings worth hearing . . . maybe even owning.

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Jazz CD Review: Dave Holland Ventures into “Uncharted Territories”

June 27, 2018
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On these two discs you’ll find masterfully played, engaging excursions into the tonal beyond.

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Jazz Review: Bill Frisell’s Americana Dreams

June 3, 2015
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Bill Frisell and his quartet performed a program of well-worn American hits whose juxtapositions allowed you to make your own cross-references and draw your own conclusions.

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Jazz CD Reviews: John Scofield’s “Überjam Deux” and Dave Holland’s “Prism”

August 12, 2013
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Dave Holland’s Prism tells stories, several of which are very effective. Scofield’s, like his earlier Überjam releases, extends the jam-band esthetic into jazz without completely giving in to it. And neither of them would be as they are without the great looming shadow of Miles Davis.

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