Christopher Caggiano
What if you took canonical Western works and reimagined them from an African perspective?
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Dramatist Tracy Letts’s new play is raw, funny, and intensely personal.
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This is a non-union production, and that means the actors are being paid a fraction of what they would be getting if the tour were offering performers a union contract.
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Jeremy O. Harris’s bold new play is wildly provocative and hysterically funny.
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The latest show from circus troupe The 7 Fingers is both intimate and gasp-inducing.
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The national tour of the smash-hit revival retains much of the charm of the original.
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Two new musicals aimed at young audiences: One sings, the other yowls
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The touring company of Dear Evan Hansen is every bit as good as its Broadway counterpart.
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Faye Dunaway has chosen Tea at Five as the vehicle to bring her back to Broadway after a 37-year absence. Would that she had waited a bit longer for a vehicle more worthy of her considerable talents.
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Ethan Mordden’s exhaustive take on Barbra Streisand may not be what diehard fans are looking for.
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