Caldwell-Titcomb

Classical Music Review: Boston Civic Symphony

November 16, 2008
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By Caldwell Titcomb One can’t go wrong with Beethoven, who provided all the music for the Boston Civic Symphony’s Jordan Hall concert on November 9. The orchestra was founded in 1924, incorporated in 1945 as the Civic Symphony of Boston, and underwent an official name change this year to Boston Civic Symphony (someone forgot to…

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Classical Music Review: Duo Diorama

November 5, 2008
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By Caldwell Titcomb An amazing pair of instrumentalists gave a concert at the Longy School of Music on October 25. Styling themselves Duo Diorama, they are the husband-and-wife team of pianist Winston Choi and Violinist Minghuan Xu. These young players (he is 30 and she is 31) have been concertizing together for a long time,…

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Classical Music Review: Focus on Armenia

October 27, 2008
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By Caldwell Titcomb Considered the father of Armenian music, Gomidas (or Komitas) was born Soghomon Soghomonian in 1869, and became active as a composer, singer, choir conductor, ethnomusicologist and priest. In 1915 he was one of 300 artists arrested and deported at the start of the Armenian genocide. He became so unhinged that he ceased…

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Theatre Review: ‘The Winter’s Tale’

October 21, 2008
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By Caldwell Titcomb “The Winter’s Tale” is one of the glories of our theatrical inheritance. Of Shakespeare’s total output, the Big Four tragedies stand at the head. Then comes “Twelfth Night,” the greatest comedy in our language. Next I would place “The Winter’s Tale” as the finest of the late romances, though most people would…

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Classical Music Review: Fleisher at 80

October 8, 2008
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By Caldwell Titcomb The two greatest American pianists to emerge in the twentieth century are Leon Fleisher (b. 1928) and Murray Perahia (b. 1947). From 1958 to 1962 Fleisher recorded all five Beethoven piano concertos and the two by Brahms with the Cleveland Orchestra under George Szell. These constitute the yardstick against which all other…

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Classical Music Review: A Conductor’s Debut

October 7, 2008
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By Caldwell Titcomb The New England Conservatory (enrollment 750) recently decided to upgrade its orchestral program. Its major move was to appoint the newly-endowed Stanford and Norma Jean Calderwood Director of Orchestras. The inaugural holder of the post is the well-established conductor Hugh Wolff. In 1975 he graduated magna cum laude from Harvard (where he…

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Theater Review: Schiller’s “Don Carlos”

September 12, 2008
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By Caldwell Titcomb Some plays are so long that they drive people to despair. In the standard theatrical canon the palm goes to Goethe’s “Faust,” Part I of which runs 4612 lines, and Part II takes the total to 12,111 lines. Next comes Ibsen’s “Peer Gynt.” The playwright did not intend this to be staged…

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Classical CD Review: Victor Rosenbaum & Schubert

July 17, 2008
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By Caldwell Titcomb Luckily the Boston area is home to a considerable number of world-class pianists. Among them is Victor Rosenbaum. An honors graduate of Brandeis University, he was chair of the piano faculty at the New England Conservatory before heading the Longy School of Music for 16 years. He currently is on the Conservatory…

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Classical Music Review: ‘An American Sampler’

April 1, 2008
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By Caldwell Titcomb The Spectrum Singers, founded in 1980 and still led by John W. Ehrlich, presented a concert on March 29 entitled “An American Sampler.” Taking place in Emmanuel Church, the program was devoted to six composers of distinction, with particular emphasis on Aaron Copland (1900-1990) and Irving Fine (1914-1962). American composer Aaron Copland

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Stage Remembrance: Saluting Paul Scofield — A Titanic Figure in the History of the Theater

March 25, 2008
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By Caldwell Titcomb If you ask the British public who the foremost actors of the 20th century were, you will likely get the names of Sir John Gielgud, Sir Ralph Richardson, Sir Laurence Olivier (later Lord Olivier), and Sir Alec Guinness. You are not likely to hear the name of Paul Scofield, who died last…

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