Ibsen’s and Miller’s scientist hero must contend with denial, disbelief, ignorance, fear of change, malice, opportunism, greed, the abuse of power, censorship, betrayal, and violence. Sound familiar?
From the first clearly projected lines to the last, it’s obvious that director Julianne Boyd set out to direct a production of Much Ado where language rules supreme.
The agile hand of adaptor and director Aaron Posner has given us a production of Chaim Potok’s novel “The Chosen” that our children and grandchildren must see.
