August Strindberg

Theater Review: “We The People,” “The Member of the Wedding,” and “Creditors”

August 16, 2018
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Three theaters in the Berkshires offer differing views of the past.

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Theater Review: “Creditors” — A Memorable Staging of a Classic

July 28, 2018
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August Strindberg’s Creditors turns out to be a play that speaks chillingly to our time.

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Theater Review: Harbor Stage Company’s “Miss Julie” — A Respectable Tragedy

September 20, 2016
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This is a satisfying if limited production; the Harbor Stage Company is a troupe that is well worth keeping an eye on.

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Theater Review: “Mies Julie” — Writhing in the Danger Zone

December 5, 2013
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In her compelling deconstruct/rewrite of “Miss Julie,” set in South Africa 18 years after the end of apartheid, director/dramatist Yaël Farber doubles down on the elemental energies of Greek tragedy.

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Theater Interview: Viva August Strindberg — The Great Swedish Modernist

February 29, 2012
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August Strindberg’s work unquestionably has not received the degree of popular acclaim in America that it deserves. It’s a bit mysterious, given that major U.S. playwrights — Eugene O’Neill, Edward Albee, Tennessee Williams — have openly acknowledged their debts to Strindberg.

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