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	<title>The Arts Fuse</title>
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	<link>http://artsfuse.org</link>
	<description>The Culture of New England: Criticism, Commentary, Conversation</description>
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		<title>Fuse Book Review: Hey Look Me Over — &#8220;Just My Type&#8221;</title>
		<link>http://artsfuse.org/59848/fuse-book-review-hey-look-me-over-just-my-type/</link>
		<comments>http://artsfuse.org/59848/fuse-book-review-hey-look-me-over-just-my-type/#comments</comments>
		<pubDate>Wed, 16 May 2012 20:02:38 +0000</pubDate>
		<dc:creator>Debra Cash</dc:creator>
				<category><![CDATA[Featured]]></category>
		<category><![CDATA[Literature]]></category>
		<category><![CDATA[Technology and the Arts]]></category>
		<category><![CDATA[Visual Arts]]></category>
		<category><![CDATA[Gotham Books]]></category>
		<category><![CDATA[Just My Type: A book about fonts]]></category>
		<category><![CDATA[Simon Garfield]]></category>

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		<description><![CDATA[Simon Garfield's tour of fonts, <em>Just My Type</em>, is a rollicking, sometimes snarky social history of the design decisions behind lettering from Gutenberg to the iPad.]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Concert Review: Stephen Hammer and Michelle Graveline at the Worcester Art Museum</title>
		<link>http://artsfuse.org/59794/concert-review-stephen-hammer-and-michelle-graveline-at-the-worcester-art-museum/</link>
		<comments>http://artsfuse.org/59794/concert-review-stephen-hammer-and-michelle-graveline-at-the-worcester-art-museum/#comments</comments>
		<pubDate>Wed, 16 May 2012 13:00:32 +0000</pubDate>
		<dc:creator>Jonathan Blumhofer</dc:creator>
				<category><![CDATA[Classical Music]]></category>
		<category><![CDATA[Featured]]></category>
		<category><![CDATA[Music]]></category>
		<category><![CDATA[Michelle Graveline]]></category>
		<category><![CDATA[Stephen Hammer]]></category>
		<category><![CDATA[WAM]]></category>
		<category><![CDATA[Worcester Art Museum]]></category>

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		<description><![CDATA[Mr. Hammer played Bach’s Sonata in G minor energetically and sensitively, drawing out composer's long melodic phrases with appealing grace. Ms. Graveline made a strong accompanist, clearly articulating Bach’s contrapuntal textures.]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Fuse Classical Music Review: Chameleon Arts Ensemble Ends Its Season Brilliantly</title>
		<link>http://artsfuse.org/59676/fuse-classical-music-review-chameleon-arts-ensemble-ends-its-season-brilliantly/</link>
		<comments>http://artsfuse.org/59676/fuse-classical-music-review-chameleon-arts-ensemble-ends-its-season-brilliantly/#comments</comments>
		<pubDate>Wed, 16 May 2012 00:52:55 +0000</pubDate>
		<dc:creator>Susan Miron</dc:creator>
				<category><![CDATA[Classical Music]]></category>
		<category><![CDATA[Featured]]></category>
		<category><![CDATA[Music]]></category>
		<category><![CDATA[and told in song]]></category>
		<category><![CDATA[Chamber music]]></category>
		<category><![CDATA[Deborah Boldin]]></category>
		<category><![CDATA[The Chameleon Arts Ensemble]]></category>

		<guid isPermaLink="false">http://artsfuse.org/?p=59676</guid>
		<description><![CDATA[Chameleon Arts Ensemble's programming, the brainchild of its director and flutist Deborah Boldin, aims to place pieces together that have interesting things in common musically and culturally.]]></description>
		<wfw:commentRss>http://artsfuse.org/59676/fuse-classical-music-review-chameleon-arts-ensemble-ends-its-season-brilliantly/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Fuse Theater Review:  An Inspirational &#8220;Woody Sez&#8221;</title>
		<link>http://artsfuse.org/59605/fuse-theater-review-an-inspirational-woody-sez/</link>
		<comments>http://artsfuse.org/59605/fuse-theater-review-an-inspirational-woody-sez/#comments</comments>
		<pubDate>Tue, 15 May 2012 15:51:53 +0000</pubDate>
		<dc:creator>Anthony J. Palmer</dc:creator>
				<category><![CDATA[Featured]]></category>
		<category><![CDATA[Music]]></category>
		<category><![CDATA[Popular Music]]></category>
		<category><![CDATA[Theater]]></category>
		<category><![CDATA[American Repertory Theater]]></category>
		<category><![CDATA[Woody Sez]]></category>
		<category><![CDATA[Woody Sez: The Life & Music of Woody Guthrie]]></category>

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		<description><![CDATA[<em>Woody Sez</em> is a thoroughly enjoyable and effectively assembled presentation of Woody Guthrie’s life and music.]]></description>
		<wfw:commentRss>http://artsfuse.org/59605/fuse-theater-review-an-inspirational-woody-sez/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Fuse Film Review: &#8220;Sound of My Voice&#8221;</title>
		<link>http://artsfuse.org/59581/fuse-film-review-sound-of-my-voice/</link>
		<comments>http://artsfuse.org/59581/fuse-film-review-sound-of-my-voice/#comments</comments>
		<pubDate>Tue, 15 May 2012 12:09:39 +0000</pubDate>
		<dc:creator>Tim Jackson</dc:creator>
				<category><![CDATA[Featured]]></category>
		<category><![CDATA[Film]]></category>
		<category><![CDATA[Brit Marling]]></category>
		<category><![CDATA[science-fiction]]></category>
		<category><![CDATA[Sound of My Voice]]></category>

		<guid isPermaLink="false">http://artsfuse.org/?p=59581</guid>
		<description><![CDATA[<em>Sound of My Voice</em> has a lot twists and turns, much charm, and credible suspense. Have I yielded to the cult of Brit Marling?  I was always a sucker for pretty face, and a good yarn.]]></description>
		<wfw:commentRss>http://artsfuse.org/59581/fuse-film-review-sound-of-my-voice/feed/</wfw:commentRss>
		<slash:comments>3</slash:comments>
		</item>
		<item>
		<title>Fuse Dance Review: Boston Ballet Ends 48th Season on an Encouraging Note</title>
		<link>http://artsfuse.org/59542/fuse-dance-review-boston-ballet-ends-48th-season-on-an-encouraging-note/</link>
		<comments>http://artsfuse.org/59542/fuse-dance-review-boston-ballet-ends-48th-season-on-an-encouraging-note/#comments</comments>
		<pubDate>Mon, 14 May 2012 20:37:39 +0000</pubDate>
		<dc:creator>Arts Fuse Editor</dc:creator>
				<category><![CDATA[Dance]]></category>
		<category><![CDATA[Featured]]></category>
		<category><![CDATA[ballet]]></category>
		<category><![CDATA[Boston-Ballet]]></category>
		<category><![CDATA[Fancy Free]]></category>
		<category><![CDATA[Mikko Nissinen]]></category>

		<guid isPermaLink="false">http://artsfuse.org/?p=59542</guid>
		<description><![CDATA[To his credit, Boston Ballet's artistic director Mikko Nissinen is looking far and wide for ways to expand the company's repertory.]]></description>
		<wfw:commentRss>http://artsfuse.org/59542/fuse-dance-review-boston-ballet-ends-48th-season-on-an-encouraging-note/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Fuse Theater Review:  &#8220;Cupcake&#8221; — A Musical for Pastry Lovers</title>
		<link>http://artsfuse.org/59495/fuse-theater-review-cupcake-a-musical-for-pastry-lovers/</link>
		<comments>http://artsfuse.org/59495/fuse-theater-review-cupcake-a-musical-for-pastry-lovers/#comments</comments>
		<pubDate>Mon, 14 May 2012 03:58:52 +0000</pubDate>
		<dc:creator>Peter-Adrian Cohen</dc:creator>
				<category><![CDATA[Featured]]></category>
		<category><![CDATA[Theater]]></category>
		<category><![CDATA[Bradley Seeman]]></category>
		<category><![CDATA[Cupcake]]></category>
		<category><![CDATA[David Reiffel]]></category>
		<category><![CDATA[Michael Wartofsky]]></category>
		<category><![CDATA[musical]]></category>

		<guid isPermaLink="false">http://artsfuse.org/?p=59495</guid>
		<description><![CDATA[If you’re into pastry, <em>Cupcake</em> is for you. But if you expect something more filling, then I’m afraid you’ll have to wait for this creative team’s next baking session.]]></description>
		<wfw:commentRss>http://artsfuse.org/59495/fuse-theater-review-cupcake-a-musical-for-pastry-lovers/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Fuse Book Review: &#8220;Emmaus&#8221; — A Fictional Puzzle Wrapped in a Spiritual Enigma</title>
		<link>http://artsfuse.org/59425/fuse-book-review-emmaus-a-fictional-puzzle-wrapped-in-a-spiritual-enigma/</link>
		<comments>http://artsfuse.org/59425/fuse-book-review-emmaus-a-fictional-puzzle-wrapped-in-a-spiritual-enigma/#comments</comments>
		<pubDate>Sun, 13 May 2012 12:32:52 +0000</pubDate>
		<dc:creator>Arts Fuse Editor</dc:creator>
				<category><![CDATA[Featured]]></category>
		<category><![CDATA[Literature]]></category>
		<category><![CDATA[World Books]]></category>
		<category><![CDATA[Alessandro Baricco]]></category>
		<category><![CDATA[Ann Goldstein]]></category>
		<category><![CDATA[Emmaus]]></category>
		<category><![CDATA[italian-literature]]></category>
		<category><![CDATA[Silk]]></category>

		<guid isPermaLink="false">http://artsfuse.org/?p=59425</guid>
		<description><![CDATA[Alessandro Baricco's novella <em>Silk,</em> filled with inchoate erotic longings for which there is no explanation, became an international bestseller. <em>Emmaus,</em> his latest book in translation, also contains mysteries.
]]></description>
		<wfw:commentRss>http://artsfuse.org/59425/fuse-book-review-emmaus-a-fictional-puzzle-wrapped-in-a-spiritual-enigma/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Fuse Music Commentary: &#8220;Maestro&#8221; — Breaking Boundaries</title>
		<link>http://artsfuse.org/59184/fuse-theater-commentary-maestro-breaking-boundaries/</link>
		<comments>http://artsfuse.org/59184/fuse-theater-commentary-maestro-breaking-boundaries/#comments</comments>
		<pubDate>Fri, 11 May 2012 21:33:59 +0000</pubDate>
		<dc:creator>Anthony J. Palmer</dc:creator>
				<category><![CDATA[Classical Music]]></category>
		<category><![CDATA[Featured]]></category>
		<category><![CDATA[Music]]></category>
		<category><![CDATA[Hershey Felder]]></category>
		<category><![CDATA[Leonard Bernstein]]></category>
		<category><![CDATA[Maestro: Leonard Bernstein (A Play With Music)]]></category>

		<guid isPermaLink="false">http://artsfuse.org/?p=59184</guid>
		<description><![CDATA[Hershey Felder's performance as Leonard Bernstein not only reconnects us with one of America’s great musical geniuses: it is also a reminder that boundaries sometimes stifle our conception of how much artists can accomplish.]]></description>
		<wfw:commentRss>http://artsfuse.org/59184/fuse-theater-commentary-maestro-breaking-boundaries/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Fuse Book Review: &#8220;When the Night&#8221; — A Memorably Icy Love Story</title>
		<link>http://artsfuse.org/59194/fuse-book-review-when-the-night-a-memorably-icy-love-story/</link>
		<comments>http://artsfuse.org/59194/fuse-book-review-when-the-night-a-memorably-icy-love-story/#comments</comments>
		<pubDate>Fri, 11 May 2012 12:08:59 +0000</pubDate>
		<dc:creator>Roberta Silman</dc:creator>
				<category><![CDATA[Featured]]></category>
		<category><![CDATA[Literature]]></category>
		<category><![CDATA[World Books]]></category>
		<category><![CDATA[contemporary]]></category>
		<category><![CDATA[Cristina Comencini]]></category>
		<category><![CDATA[fiction]]></category>
		<category><![CDATA[Italian]]></category>
		<category><![CDATA[Italy]]></category>
		<category><![CDATA[Other Press]]></category>
		<category><![CDATA[When the Night]]></category>

		<guid isPermaLink="false">http://artsfuse.org/?p=59194</guid>
		<description><![CDATA[In spare, exact prose Cristian Comencini lets this story unfold against an Alpine setting that is so vivid it, too, becomes a character in this strangely compelling novel.]]></description>
		<wfw:commentRss>http://artsfuse.org/59194/fuse-book-review-when-the-night-a-memorably-icy-love-story/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Fuse Dance/Movie Review: The Passing Parade — A Film about the Joffrey Ballet</title>
		<link>http://artsfuse.org/59113/fuse-dancemovie-review-the-passing-parade-a-film-about-the-joffrey-ballet/</link>
		<comments>http://artsfuse.org/59113/fuse-dancemovie-review-the-passing-parade-a-film-about-the-joffrey-ballet/#comments</comments>
		<pubDate>Thu, 10 May 2012 21:36:46 +0000</pubDate>
		<dc:creator>Debra Cash</dc:creator>
				<category><![CDATA[Dance]]></category>
		<category><![CDATA[Featured]]></category>
		<category><![CDATA[Film]]></category>
		<category><![CDATA[documentary]]></category>
		<category><![CDATA[Gerald Arpino]]></category>
		<category><![CDATA[Joffrey Ballet]]></category>
		<category><![CDATA[Joffrey: Mavericks of American Dance]]></category>
		<category><![CDATA[Robert Joffrey]]></category>

		<guid isPermaLink="false">http://artsfuse.org/?p=59113</guid>
		<description><![CDATA[The new documentary, <emJoffrey: Mavericks of American Dance,</em> derails, partly because its hagiographic tone encourages elisions that beg important questions.]]></description>
		<wfw:commentRss>http://artsfuse.org/59113/fuse-dancemovie-review-the-passing-parade-a-film-about-the-joffrey-ballet/feed/</wfw:commentRss>
		<slash:comments>4</slash:comments>
		</item>
		<item>
		<title>Fuse Classical CD Review: Jeremy Denk’s Ligeti/Beethoven (Nonesuch)</title>
		<link>http://artsfuse.org/59099/fuse-classical-cd-review-jeremy-denks-ligetibeethoven-nonesuch/</link>
		<comments>http://artsfuse.org/59099/fuse-classical-cd-review-jeremy-denks-ligetibeethoven-nonesuch/#comments</comments>
		<pubDate>Thu, 10 May 2012 19:51:16 +0000</pubDate>
		<dc:creator>Jonathan Blumhofer</dc:creator>
				<category><![CDATA[Classical Music]]></category>
		<category><![CDATA[Featured]]></category>
		<category><![CDATA[Music]]></category>
		<category><![CDATA[György Ligeti]]></category>
		<category><![CDATA[Jeremy Denk]]></category>
		<category><![CDATA[Nonesuch]]></category>

		<guid isPermaLink="false">http://artsfuse.org/?p=59099</guid>
		<description><![CDATA[If you find classical music to be a vibrant, living thing in which inventive pairings and convincing realizations of music of the distant and recent past can speak in fresh and vital ways to the present, Jeremy Denk is your man and this is your CD.]]></description>
		<wfw:commentRss>http://artsfuse.org/59099/fuse-classical-cd-review-jeremy-denks-ligetibeethoven-nonesuch/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Fuse Theater Review: Boxed In — &#8220;Yesterday Happened: Remembering H. M.&#8221;</title>
		<link>http://artsfuse.org/58764/fuse-theater-review-boxed-in-yesterday-happened-remembering-h-m/</link>
		<comments>http://artsfuse.org/58764/fuse-theater-review-boxed-in-yesterday-happened-remembering-h-m/#comments</comments>
		<pubDate>Wed, 09 May 2012 17:10:19 +0000</pubDate>
		<dc:creator>Bill Marx</dc:creator>
				<category><![CDATA[Featured]]></category>
		<category><![CDATA[Technology and the Arts]]></category>
		<category><![CDATA[Theater]]></category>
		<category><![CDATA[Catalyst Collaborative@MIT]]></category>
		<category><![CDATA[Central Square Theater]]></category>
		<category><![CDATA[Debra Wise]]></category>
		<category><![CDATA[Henry Molaison]]></category>
		<category><![CDATA[Wesley Savick]]></category>
		<category><![CDATA[Yesterday Happened: Remembering H. M.]]></category>

		<guid isPermaLink="false">http://artsfuse.org/?p=58764</guid>
		<description><![CDATA[Dramatist and director Wesley Savick faces a number of fascinating but formidable theatrical challenges, and the generally compelling <em>Yesterday Happened</em> (how could it not be, given its story?) takes an honorable, visually striking swipe at the problems.]]></description>
		<wfw:commentRss>http://artsfuse.org/58764/fuse-theater-review-boxed-in-yesterday-happened-remembering-h-m/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Judicial Review # 8: Making Sense of the &#8220;Assassins&#8221;</title>
		<link>http://artsfuse.org/58747/judicial-review-8-making-sense-of-the-assassins/</link>
		<comments>http://artsfuse.org/58747/judicial-review-8-making-sense-of-the-assassins/#comments</comments>
		<pubDate>Tue, 08 May 2012 19:59:34 +0000</pubDate>
		<dc:creator>Bill Marx</dc:creator>
				<category><![CDATA[Featured]]></category>
		<category><![CDATA[Judicial Review]]></category>
		<category><![CDATA[Theater]]></category>
		<category><![CDATA[Assassins]]></category>
		<category><![CDATA[Boston University College of Fine Arts]]></category>
		<category><![CDATA[Jim Petosa]]></category>
		<category><![CDATA[john-weidman]]></category>
		<category><![CDATA[Stephen-Sondheim]]></category>

		<guid isPermaLink="false">http://artsfuse.org/?p=58747</guid>
		<description><![CDATA[What is a <a href="http://artsfuse.org/?p=8644">Judicial Review</a>? It is a fresh approach to creating a conversational, critical space about the arts and culture. This is our eighth session, a discussion about the Boston University College of Fine Arts production of the 1990 Stephen Sondheim/John Weidman musical <em>Assassins,</em> which looks at the lives and sensibilities of men and women who attempted (successfully or otherwise) to kill the President of the United States.]]></description>
		<wfw:commentRss>http://artsfuse.org/58747/judicial-review-8-making-sense-of-the-assassins/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Fuse Opera Review: Back to the Future — Boston Baroque&#8217;s &#8220;Orfeo ed Euridice&#8221;</title>
		<link>http://artsfuse.org/58658/fuse-opera-review-back-to-the-future-boston-baroques-orfeo-ed-euridice/</link>
		<comments>http://artsfuse.org/58658/fuse-opera-review-back-to-the-future-boston-baroques-orfeo-ed-euridice/#comments</comments>
		<pubDate>Mon, 07 May 2012 19:50:57 +0000</pubDate>
		<dc:creator>Anthony J. Palmer</dc:creator>
				<category><![CDATA[Classical Music]]></category>
		<category><![CDATA[Featured]]></category>
		<category><![CDATA[Music]]></category>
		<category><![CDATA[Opera]]></category>
		<category><![CDATA[Boston Baroque]]></category>
		<category><![CDATA[Christoph Willibald Gluck]]></category>
		<category><![CDATA[Martin Pearlman]]></category>
		<category><![CDATA[Orfeo ed Euridice]]></category>
		<category><![CDATA[Owen Willetts]]></category>

		<guid isPermaLink="false">http://artsfuse.org/?p=58658</guid>
		<description><![CDATA[Boston Baroque and conductor Martin Pearlman scored another triumph with their semi-staged original version of Gluck's revolutionary creation, an opera that, to its detriment, has often been revised for performance.]]></description>
		<wfw:commentRss>http://artsfuse.org/58658/fuse-opera-review-back-to-the-future-boston-baroques-orfeo-ed-euridice/feed/</wfw:commentRss>
		<slash:comments>1</slash:comments>
		</item>
		<item>
		<title>Fuse Concert Review: Boston Symphony Orchestra/Bernard Haitink at Symphony Hall</title>
		<link>http://artsfuse.org/58665/fuse-concert-review-boston-symphony-orchestrabernard-haitink-at-symphony-hall/</link>
		<comments>http://artsfuse.org/58665/fuse-concert-review-boston-symphony-orchestrabernard-haitink-at-symphony-hall/#comments</comments>
		<pubDate>Mon, 07 May 2012 11:53:38 +0000</pubDate>
		<dc:creator>Jonathan Blumhofer</dc:creator>
				<category><![CDATA[Classical Music]]></category>
		<category><![CDATA[Featured]]></category>
		<category><![CDATA[Music]]></category>
		<category><![CDATA[Bernard Haitink]]></category>
		<category><![CDATA[Boston Symphony Orchestra]]></category>
		<category><![CDATA[Tanglewood Festival Chorus]]></category>

		<guid isPermaLink="false">http://artsfuse.org/?p=58665</guid>
		<description><![CDATA[Beethoven's Symphony No. 9 is a piece the BSO trots out with greater regularity of late than most orchestras (as Tanglewood aficionados are aware, it’s been the traditional summer closer each August for about a decade now) and, while such familiarity may not exactly breed complacency, it certainly runs the risk of so doing.]]></description>
		<wfw:commentRss>http://artsfuse.org/58665/fuse-concert-review-boston-symphony-orchestrabernard-haitink-at-symphony-hall/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Fuse Film Review: The Independent Film Festival of Boston — Ten Movies To Look For</title>
		<link>http://artsfuse.org/58549/fuse-film-review-the-independent-film-festival-of-boston-ten-films-to-look-for/</link>
		<comments>http://artsfuse.org/58549/fuse-film-review-the-independent-film-festival-of-boston-ten-films-to-look-for/#comments</comments>
		<pubDate>Sat, 05 May 2012 20:11:11 +0000</pubDate>
		<dc:creator>Tim Jackson</dc:creator>
				<category><![CDATA[Featured]]></category>
		<category><![CDATA[Film]]></category>
		<category><![CDATA[Beauty is Embarrassing]]></category>
		<category><![CDATA[Beware of Mr. Baker]]></category>
		<category><![CDATA[From Nothing Something]]></category>
		<category><![CDATA[Gregory Crewdson: Brief Encounters]]></category>
		<category><![CDATA[Liberal Arts]]></category>
		<category><![CDATA[Ok. Good]]></category>
		<category><![CDATA[Paul Williams: I'm Still Alive]]></category>
		<category><![CDATA[Sleepwalk With Me]]></category>
		<category><![CDATA[The Imposter]]></category>
		<category><![CDATA[The Independent Film Festival of Boston]]></category>
		<category><![CDATA[Time Zero: The Last Year of Polaroid Film]]></category>

		<guid isPermaLink="false">http://artsfuse.org/?p=58549</guid>
		<description><![CDATA[The Independent Film Festival of Boston has achieved a reputation as one of the hippest in the country because of the dedication of its small and dedicated staff, an army of well-trained volunteers, and audiences full college students, artists, art lovers, and cinephiles.]]></description>
		<wfw:commentRss>http://artsfuse.org/58549/fuse-film-review-the-independent-film-festival-of-boston-ten-films-to-look-for/feed/</wfw:commentRss>
		<slash:comments>2</slash:comments>
		</item>
		<item>
		<title>Fuse Theater Review: An Earnest &#8220;Troilus and Cressida&#8221;</title>
		<link>http://artsfuse.org/58345/fuse-theater-review-an-earnest-troilus-and-cressida/</link>
		<comments>http://artsfuse.org/58345/fuse-theater-review-an-earnest-troilus-and-cressida/#comments</comments>
		<pubDate>Fri, 04 May 2012 18:54:04 +0000</pubDate>
		<dc:creator>Bill Marx</dc:creator>
				<category><![CDATA[Featured]]></category>
		<category><![CDATA[Theater]]></category>
		<category><![CDATA[Actors' Shakespeare Project]]></category>
		<category><![CDATA[ASP]]></category>
		<category><![CDATA[Tina Packer]]></category>
		<category><![CDATA[Troilus and Cressida]]></category>
		<category><![CDATA[William-Shakespeare]]></category>

		<guid isPermaLink="false">http://artsfuse.org/?p=58345</guid>
		<description><![CDATA[We are a long way from the love-destroyed-by-hostility pieties of <em>Romeo and Juliet</em>, but Actors' Shakespeare Project director Tina Packer wants to make <em>Troilus and Cressida</em> fit into that reassuring and earnest mold.]]></description>
		<wfw:commentRss>http://artsfuse.org/58345/fuse-theater-review-an-earnest-troilus-and-cressida/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Fuse Theater Review: Carlo Goldoni&#8217;s Classic Comedy Goes Mod</title>
		<link>http://artsfuse.org/40827/fuse-theater-review-carlo-goldonis-classic-comedy-goes-mod-in-style/</link>
		<comments>http://artsfuse.org/40827/fuse-theater-review-carlo-goldonis-classic-comedy-goes-mod-in-style/#comments</comments>
		<pubDate>Fri, 04 May 2012 14:02:36 +0000</pubDate>
		<dc:creator>Ian Thal</dc:creator>
				<category><![CDATA[Featured]]></category>
		<category><![CDATA[Literature]]></category>
		<category><![CDATA[Theater]]></category>
		<category><![CDATA[farce]]></category>
		<category><![CDATA[Italian]]></category>
		<category><![CDATA[London]]></category>
		<category><![CDATA[National-Theatre]]></category>
		<category><![CDATA[One Man]]></category>
		<category><![CDATA[Richard Bean]]></category>
		<category><![CDATA[The Servant of Two Masters]]></category>
		<category><![CDATA[Two Guvnors]]></category>

		<guid isPermaLink="false">http://artsfuse.org/?p=40827</guid>
		<description><![CDATA[The Broadway run of The National Theatre's production of <em> One Man, Two Guvnors</em>, based on <em> The Servant of Two Masters</em> by Carlo Goldoni, has been nominated for 7 Tony Awards. Here is Fuse Critic Ian Thal's review of the National Theatre Live broadcast of the British production, first posted in September, 2011.]]></description>
		<wfw:commentRss>http://artsfuse.org/40827/fuse-theater-review-carlo-goldonis-classic-comedy-goes-mod-in-style/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Fuse Book Review:  Orhan Pamuk&#8217;s Museum of Innocence Opens</title>
		<link>http://artsfuse.org/58302/fuse-book-review-orhan-pamuks-museum-of-innocence-opens/</link>
		<comments>http://artsfuse.org/58302/fuse-book-review-orhan-pamuks-museum-of-innocence-opens/#comments</comments>
		<pubDate>Thu, 03 May 2012 12:23:06 +0000</pubDate>
		<dc:creator>Christopher M. Ohge</dc:creator>
				<category><![CDATA[Featured]]></category>
		<category><![CDATA[Literature]]></category>
		<category><![CDATA[World Books]]></category>
		<category><![CDATA[fiction]]></category>
		<category><![CDATA[fiction-in-translation]]></category>
		<category><![CDATA[museum]]></category>
		<category><![CDATA[Museum of Innocence]]></category>
		<category><![CDATA[Orhan-Pamuk]]></category>

		<guid isPermaLink="false">http://artsfuse.org/?p=58302</guid>
		<description><![CDATA[Nobel laureate Orhan Pamuk’s new museum, named for and based on his 2008 novel, <em>The Museum of Innocence</em>, has opened in Istanbul.]]></description>
		<wfw:commentRss>http://artsfuse.org/58302/fuse-book-review-orhan-pamuks-museum-of-innocence-opens/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
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</rss>

