Month: January 2015
Inherent Vice is a giddy, trippy potpourri that tries to make a virtue of never quite settling on what kind of story it wants to tell.
Read MoreArts Fuse critics select the best in music, film, dance, author events, and theater for the coming week.
Read MoreNow 58, the noted choreographer’s succinct gestural language, coincident use of music and musical ideas, and spatial elasticity is now completely second nature.
Read MoreTo his credit, Garry Wills does not attempt to tell us what Shakespeare or his contemporaries “really meant,” nor does he suggest that there are ways that these plays ought be staged.
Read MoreJohannes Moser is a cellist I have admired for some years.
Read MoreMade up of Boston-based musicians, the Laszlo Gardony Quartet is one of the city’s under-recognized treasures.
Read MoreSelma doesn’t dare to offer the viewer anything new.
Read MoreThe Man Between offers a fascinating glimpse of the late master translator Michael Henry Heim, its reportedly modest and reticent protagonist.
Read MoreThe virtuoso approach of Bedlam’s Saint Joan, its unpretentious immediacy, makes this production an exuberant Shavian history lesson that should not to be missed.
Read MoreThe fooling around was far more compelling than I could have imagined: the Ukulele Orchestra of Great Britain know how to throw a fun, funny, family-friendly show.
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Music Commentary: A Deepdive into The Mothers of Invention’s “Plastic People”