Month: October 2011
Throughout his career, conductor Kurt Masur has focused primarily on conducting the standard German repertoire, and now, at age 84, his mastery and understanding of this music is unmatched.
Read MoreExciting things are happening in Israeli writing, and it is garnering considerable attention in Europe. But what about theater in Israel? Israeli Stage offers the curious a chance to see what is happening.
Read MoreThe Music for Food concerts are free, but people are urged to contribute cash, checks or canned goods, a tiny step towards righting “the horrible discrepancies we are living with.”
Read MoreLiz Duffy Adams’ affectionate look at Aphra Behn’s rise to public prominence, despite prejudice against her gender, comes off as a sort of farcical love letter to an ink-stained ancestor that at times suggests a Shavian talk fest in a minor key.
Read MoreThis intriguing documentary, made up of first-hand footage about the Black Power movement, will air on WGBH’s Independent Lens this Thursday @ 10 p.m.
Read MoreBSCP has enough cachet to hire the best in the business — each of the evening’s soloist had instruments and resumes to, as they say, die for — competitions won, festivals performed in, prizes, solo performances everywhere but the South Pole.
Read More“For an imaginative boy, the first experience of writing is like a tiger’s first taste of blood.’ — H.G. Wells, “The New Machiavelli,” 1911.
Read MoreIn “Train Dreams” the world of beauty and terror is balanced as only our best writers have been able to balance those things.
Read MoreIf you’re reading this on an iMac, MacBook, iPod Touch, iPhone or iPad, you can thank the late Steve Jobs. But your gratitude should also be extended to another technology giant who passed away last Saturday.
Read More“Dance/Draw” at the ICA is a major exhibit about how moving bodies leave traces, what curator Helen Molesworth, not particularly originally, calls the “afterlife of dance.” To a lesser extent, it’s also about how visual artists think about motion when they’re not focused on particular bodies.
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