Month: October 2009
By Helen Epstein Oct-8-13 Stravinsky, Rachmaninoff and Shostakovich Symphony Hall Boston, MA Vasily Petrenko, conductor Audiences as well as composers project their emotions and fantasies onto every piece of art with which they engage, but I think this is particularly true of instrumental music, whose non-verbal, non-visual yet powerfully emotional expressiveness is as open to…
Read MoreBy Caldwell Titcomb Three works by major composers made up the free concert presented by the Boston Conservatory Wind Ensemble on October 10 at the Midway Studios in South Boston. On the podium was Eric Hewitt, who holds a bachelor’s in saxophone performance and a master’s in conducting – both from the New England Conservatory…
Read MoreBy Bill Marx A number of new pieces on World Books since the last update in September, including my podcast interview with Benjamin Moser about his biography of Clarice Lispector (1920-1977) entitled “Why This World” from Oxford University Press. The Brazilian writer’s challenging stream-of-consciousness technique, lack of political bite, physical beauty and, Moser argues, her…
Read MoreThe governing idea of “A New Literary History of America” is that it is about a made-up nation and a made-up literature. That means every time an author, a thinker, an actor in our national story sets out to do something that person discovers America for the first time. Each actor in the drama of…
Read MoreBy Peter Walsh A Tomb Gets its Time Forget Indiana Jones. Archaeology is not about the obvious. Case in point: the Museum of Fine Arts’ exhibition, The Secrets of Tomb 10A, opening October 18.
Read MoreAuthor Noah Wardrip-Fruin argues that each of the sometimes tangentially related processes in a video game shapes “the audience’s experience as fundamentally as the specifics of the images used in a motion picture.” Expressive Processing: Digital Fictions, Computer Games, and Software Studies by Noah Wardrip-Fruin. The MIT Press, 480 pp, $34.95. Reviewed by Mark Nolan…
Read MoreThe Massachusetts State Sandwich? Fluffernutter as Icon? By Sally Steinberg No serious eater, no gourmet, no culture vulture, no thinking person, no person of discriminating taste, no one interested in nutrition could…… But wait! The Fluffernutter might just be one of the secret food grails, its own Umami, all by itself, an elusive, indescribable, uncategorizable,…
Read MoreBy Bill Marx October includes the usual line-up of plays by seal-of-approval dramatists, Edward Albee and Conor McPherson, but there’s some welcome new blood, from Punchdrunk’s athletic adaptation of “Macbeth” to “Little Black Dress,” playwright Ronan Noone’s latest salvo at our national psyche, and “The Overwhelming,” the Boston premiere of a critically acclaimed study of…
Read MoreBy Justin Marble October 1 through 3: Classic Cinema at Museum of Fine Arts: This weekend, the Museum of Fine Arts is showing two classic pieces of cinema. First up is Akira Kurosawa’s “Throne of Blood,” his reworking of Shakespeare’s “Macbeth” in feudal Japan. Then it’s Sam Peckinpah’s “The Wild Bunch,” a 1969 Western that…
Read More- « Previous
- 1
- 2