Month: March 2007

Wild Ride with The Decemberists

March 28, 2007
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The Decemberists are passionate, intense and they put on one hell of a show.

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Theater Review: Stuck on “The Coast of Utopia”

March 24, 2007
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Not every critic is inspired by British playwright Tom Stoppard’s epic, Tony award-winning trilogy about the trials and tribulations of the 19th century Russian radical Alexander Herzen. Download the podcast By Bill Marx I had high expectations for Tom Stoppard’s labor of love, but walked away from his bloated homage to the great Russian journalist…

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The Ultimate Feel-Good Artist

March 20, 2007
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During the late ‘60s and early ‘70s, Gordon Matta-Clark did what many of us think might be cool, but never dare try to pull off.

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Visual Arts Feature: Protest Art

March 14, 2007
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Bill Marx talks with the Fogg Art Museum’s Susan Dackerman about DISSENT!, an exhibit that surveys printmaking and the history of political protest. [audio:https://artsfuse.org/podcasts/protest.mp3] DISSENT!,” an illuminating exhibition (closed) at the Harvard University Art Museums through February 25, provided some valuable insight into what it was like when protest art had some cultural clout. And…

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Rock Concert Review: Polished Pogues Shine Anew

March 14, 2007
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The Pogues are back and they’re ready to rock. By Ira Kantor BOSTON, Mass.– For the iconoclastic (and newly reunited) band The Pogues, the moment of truth has arrived. It’s 8:30 p.m. and Boston’s aged Orpheum Theatre has just gone dark. Cheers and applause rattle the walls. Is the worst going to happen or will…

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Book Feature: Jonathan Raban Kicks off Critical Condition

March 6, 2007
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In the first installment of “Condition Critical,” Bill Marx speaks with the author best known for his wryly written non-fiction books. By Bill Marx Welcome to the first installment of “Condition Critical.” This podcast (no longer available) kicks off the first in an ambitious effort to create intelligent and passionate cultural coverage online. To do…

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Standing in “Orson’s Shadow”

March 3, 2007
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A real life collision of legends of stage and screen that took place almost 50 years ago is a seductive, but dangerous, idea for a play.

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