Three bold new public art installations underscore the possibilities of visual and conceptual experiences in 21st century Boston.
Life, Death & Revelry explores the aura of the Farnese Sarcophagus from several points of view, including those of the conservators who recently cleaned it of decades of accumulated grime.
You will leave the museum stimulated by its provocative presentations of paint, photography, video, and words.
To modern sensibilities, Frederic Edwin Church’s field sketches and early studies, with their virtuoso spontaneity and unmediated naturalism, may have more appeal than his epic paintings.
Who knew that there were dozens of first-rate female American, Scandinavian, German, Swiss, French and Russian painters in Paris in the second half of the 19th century?
This special exhibition is arguably the most insightful and compelling organized by the Norman Rockwell Museum.
An organization dedicated to making Boston a vibrant, contemporary art city.
The Fuller Craft Museum’s appealing and thoughtful exhibit showcases a wonderful assemblage of diverse utensils and accessories used in domestic as well as professional kitchens.
Until recently, the Museum of Fine Arts has ignored Boston’s artists of Jewish heritage.
What was the influence of Western modernist imperatives on an art-making culture far removed from Europe and the US?