Review

Theater Review: “Not Medea” — Blending the Mythical and the Mundane

March 28, 2019
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Not Medea is a stirring character portrait, a detailed examination of the ruthless demands society makes — and has always made — on women.

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Theater Review: “Dragon Lady” — One Badass Matriarch

March 28, 2019
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Dragon Lady ‘s power lies partly in its existential authenticity, the power of the personal.

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Classical Music Review: San Francisco Symphony at Symphony Hall

March 27, 2019
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While the orchestra’s program was almost defiantly canonical, it was played with such lightness and energy that you could forgive its disappointing safeness.

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Theater Review: “Photograph 51” — Woman of Science

March 25, 2019
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A revival of Anna Ziegler’s absorbing and enlightening study of the brilliant British biophysicist Dr. Rosalind Franklin.

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Book Review: “The Ash Family” — A Commune or a Cult?

March 24, 2019
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The Ash Family is a full-color illustration of how the modern world leaves people vulnerable to radical ideas.

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Film Review: We are All “Us”

March 23, 2019
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Us is a comic-horror allegory about the revolution of the underclass.

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Film Review: Signs of Hope for American Indies At SXSW

March 23, 2019
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I saw a handful of fiction films which were well directed, capably acted, and offered meaningful stories.

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Book Review: “Little Dancer Aged Fourteen” — A Kind of Apotheosis

March 22, 2019
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In more pedantic hands, Little Dancer Aged Fourteen could easily have been a tedious and frustrating read. Instead, despite the dense and ultimately inconclusive source material, the book is continuously fascinating.

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Book Review: “Creating the Jazz Solo” — An Iconoclastic View

March 22, 2019
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Rarely does a book leave me questioning the ways in which I understood, or thought I understood, the construction of some of the most formative solos in jazz history.

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Poetry Review: “Casting Deep Shade” — On Humanity and the Beech Tree

March 21, 2019
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C.D. Wright has woven a poetic text that mirrors the tangled intimacy between humans and the beech, in all of its violence, its confusion, and its beauty.

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