Review
The play’s disparate elements have been blended into a riveting drama, energetically directed by Lisa Rothe, and nimbly performed by Joel de la Fuente.
Read More
Of course, history has not come to Deadwood to douse the smoldering embers of the past, but to supply more kindling.
Read More
François-Xavier Roth’s Mahler offers plenty of personality and ideas; there’s nothing on Mariss Jansons’ disc that’s really worth your time; guitarist Daniel Lippel draws out Steve Reich’s lyrical qualities.
Read More
This fantasy musical is unexpectedly moving, a driven and musically satisfying experience for serious Elton John fans.
Read More
Vasily Petrenko’s Elgar disappoints, Edward Gardner’s Mendelssohn excites, and Alain Lefévre’s Paris is delights.
Read More
Vladimir Jurowski’s new recording of Rachmaninoff’s Symphony no. 1 is a tightly-played, exciting reading; The Yiddish Cabaret’s only real offense relates to poor labeling; The transcriptions in Russian Masquerade are played with spunk and vitality.
Read More
This new musical is charming and lively, but without some renovation its future life is in question.
Killing Eve is a smart, funny, and often shocking exploration of the complex psychologies of women leading dangerous lives, for whom killing comes much easier than it ought to.
Read More
The best (or worst, depending on your preferences) aspect to Boston Calling has become its attention to youth-centric subcultures that have blown mainstream in DJs/electronic music and hip-hop.
Read More
Edward Albee’s provocative theatrical exercise is far trickier to realize onstage than it is to appreciate on paper.
Read More