Review
Greater Good is a fiercely compelling piece, confronting its audience with a complex exploration of some of the most pressing issues of our day.
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If, like me, you tend to see laughter as a form of catharsis then a serious question is raised: is laughing at nihilistic humor all that healthy?
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“It’s not something to be tolerated,” saxophonist Kamasi Washington said. “It’s something to be celebrated.”
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Quentin Tarantino delights in exhausting his audiences as much as he does in entertaining them.
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A genre debut as self-assured as Luz is always exciting.
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We Are All Good People Here is an enormously insightful examination of how dangerous suggestible people can be, to those around them and to themselves.
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This fine novel is portrait of Baltimore as a city at war with itself.
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Luke Spiller of the Struts: probably rock’s most commanding frontman since Freddie Mercury, Mick Jagger, and Steven Tyler in their prime.
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This review, like the opening night of She Loves Me, is dedicated to the life and work of the late producer Harold Prince.
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The CSC production maintains a sense of romantic adventure throughout, which makes it easier to accept some of the staging’s creative excesses — as well as the loop de loops of the Bard’s plotting.
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Music Commentary: New Orleans Jazz and Heritage Fest versus French Quarter Fest