Though the last presidential race has faded into a memory, two recent albums from singer-songwriters bring subtle artistry to simmering political anger and alienation
It is remarkable that two prime discoveries in John Coltrane’s recording history should appear in the same year; one of them an improved elevation from the world of underground tapes, the other a total surprise.
Handel and Haydn Society’s irreverent take on “Dido and Aeneas” is another example of an operatic trend in which production values push musical values to the sidelines
With the arrival of a new biography and DVD, guitarist Jimi Hendrix may have finally gotten his due, the pieces of his puzzle finally assembled, with just enough mystery left over for the ages. “Room Full of Mirrors: A Biography of Jimi Hendrix” by Charles R. Cross. (Hyperion); “Jimi Hendrix Live at Woodstock [The Deluxe […]
For fans of jazz, world music, Americana — in short, for fans of all the genres guitarist Bill Frisell has explored over the past decade — “East/West” is a must.
Don Quixote, Stalin, and a deadbeat 18th century nobleman trigger musical magic at a series of concerts in the Berkshires.
The controversy over the appointment of a woman to become the conductor of the Baltimore Symphony Orchestra boils down to issues of power and gender.
Frank Black of the Pixies and bad boy Ryan Adams have put out new albums that, at their mellow best, skillfully substitute pedal steel for screams.
Despite the fame of Alison Krauss, women bluegrass performers have been rare. The arrival of the all-female quintet Uncle Earl suggests things are going to change.
The Decemberists’ album offers a lineup of tunes that would soothe Shakespeare on a balmy evening.