Music

Classical CD Reviews: Vienna Philharmonic’s 2017 New Year’s Concert and Previn plays Previn

February 5, 2017
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Gustavo Dudamel takes over the reins of the Vienna Philhamronic’s annual New Year’s concert; a disc of chamber music by Andre Previn.

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Music Preview/CD Review: Valerie June — Learning to Master the “Order of Time”

February 5, 2017
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Singer Valerie June lays down an impressive vocal marker with her new album.

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Concert Review: After 700 Hundred Years, “The Play Of Daniel” Still Sings Truth To Power

February 4, 2017
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The Boston Camerata’s lucid production placed emphasis on music and movement and a chiaroscuro-inspired use of light and shadow.

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Classical CD Reviews: Boston Modern Orchestra Project plays Steven Stucky and Johannes Moser plays Elgar

February 4, 2017
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BMOP releases a fitting, moving tribute to a giant of contemporary music; Johannes Moser turns in a sweeping performance of Elgar’s Cello Concerto.

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Classical CD Reviews: Shai Wosner’s Haydn/Ligeti and Justin Taylor’s “La famille Forqueray”

February 3, 2017
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Hats off to harpsichordist Justin Taylor for the resonant, gripping performances he turns in on his debut album.

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Music Interview: Steve Jones of the Sex Pistols — A “Lonely Boy”

January 30, 2017
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Having long gotten “the short end of the stick,” Sex Pistols founding member Steve Jones decided to write his autobiography.

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Concert Review: Musicians from Marlboro Shine at the Gardner Museum

January 25, 2017
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Tenor Nicholas Phan’s performance will surely be among the finest I’ll hear in the year to come.

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CD Reviews: Mascagni’s “Zanetto” and Thomson’s “Four Saints in Three Acts”

January 24, 2017
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Odyssey Opera’s first commercially-released album is a fun showcase; BMOP delivers an excellent performance of Four Saints in Three Acts.

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CD Review: Code Orange’s “Forever” – A Brutal Triumph

January 24, 2017
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On its latest LP, Code Orange reinvents pain.

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CD Reviews: Ken Thomson’s “Restless” and Alberto Ginastera’s “One Hundred”

January 23, 2017
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Ken Thomson’s Restless doesn’t hide from dark places or things; Oberlin Orchestra does right by Argentinian composer Alberto Ginastera.

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