Folk
The brilliant set was a celebratory exploration of Molly Tuttle’s bluegrass roots, albeit with a fresh perspective.
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The Gravel Project respects its roots, but its new album demonstrates how a band can honor its influences without being smothered by them.
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It’s a work that shifts gears often, which is not in itself a bad idea for a book about a famed shape-shifter.
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“I may second guess how a song was recorded. But I can say that all that we have done has come from an honest place.”
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This is the quintessential Club d’elf album, smartly arranged and surprisingly accessible without losing any of the group’s improvisational edges or exotic breadth.
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Crooked Tree is the Molly Tuttle record we’ve been waiting for, one that is firmly rooted in bluegrass, but imbued with her own sharp style as a guitarist, singer, and songwriter.
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All three are singer/songwriters whose individual gifts mesh seamlessly with soaring harmonies and a like-minded empathetic view of the world.
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What makes these two albums stand apart? They are content to showcase the elemental power of Tennessee Ernie Ford’s voice.
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Once again, Billy Strings pulled an exhilarating assemblage of musical influences under a big tent.
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