Interview
The Smithereens have released only two albums of original material since 1999, so it was pleasantly surprising when The Lost Album, consisting of a dozen songs recorded in 1993 but never released by the band, appeared last September.
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“I go out on the road and the clubs are full everywhere I go,” Peter Case gratefully acknowledges. “People come out to hear me play. It’s an amazing gift to have that.
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Kari Percival’s greatest thrill? Reading How to Say Hello to a Worm aloud to kids whose faces “light up” as she turns the pages.
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“My core values have not changed — I’m still me and I’m still for the average guy. People can be swindled and people can be fooled. You have to bear with them and help get them through it.”
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James McMurtry’s Facebook page describes him as “Steadily Shedding Fans Since 1989.”
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“We take the audience on a journey that’s not part of a traditional approach to opera.”
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Bret Primack explains how YouTube has basically nuked the Jazz Video Guy channel. And the same thing is happening to other content creators.
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“I love music, I play every day,” John Lodge says. “I don’t want to let the audience down or myself or the members of my band. They give me 150% every night so I have to be physically and mentally right for them.”
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In choreographer Rachel Linsky’s hands — and the bodies of her articulate, reverberating dancers — you gain both kinesthetic and emotional access to the worlds of those who lived the Holocaust.
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Arts Commentary/Interview: Some Thoughts on The Climate Crisis and Theater
How can we create theater that practices critique and empathy in relation to climate change that simultaneously challenges and lifts us, provokes and provides a muscular hope?
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