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Music Interview: Preview/Interview with Gil Rose on Odyssey Opera’s “Dmitrij”

September 9, 2016
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“Would I love to do these big operas in Symphony Hall? Yes. When I feel like I’ve got two-thousand people to attend, I’ll move over to Symphony Hall.”

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Theater Review: Bread & Puppet’s “Whatforward Circus” — Agit-Prop, But Imaginative

September 8, 2016
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Bread & Puppet Theater’s world of anthropomorphized trees and talking toilets is often funny, sometimes beautiful, and always memorable.

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Theater Review: “Autumn Stage” — Being and Plenty of Nothingness

September 8, 2016
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By the end, Autumn Stage comes off as a pint-sized No Exit.

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Theater Review: “Blasted” — A Splendidly Visceral Wake-up Call

September 7, 2016
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There is little doubt in my mind that this powerful production of Blasted will be one of the high points in Boston theater this year.

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Book Review: Dangerous Delusional Illusions — “A Cage in Search of a Bird”

September 7, 2016
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An absorbing and disturbing novel that explores the dangerous turns that erotomania can take.

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Fuse Theater Review: “Company” — What We Sing About When We Sing About Love

September 5, 2016
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There’s a lot of love in the Lyric Stage Company’s production of Stephen Sondheim’s 1970 Tony Award winning show, Company.

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Fuse Film Review: “The Other Side” — Southern Fried Survival

September 4, 2016
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The Other Side comes off as a reserved, rather poignant glimpse into the lives of people who have very little to hope for.

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Music Review: Rapper Vince Staples Longs for Escape in “Prima Donna”

September 4, 2016
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Prima Donna is a rare thing: a conceptual EP that works.

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Theater Review: “About Clarence & Me” — Dreams of Friendship

September 2, 2016
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About Clarence & Me looks tenderly … perhaps too tenderly …at some pertinent contemporary issues.

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Fuse Film Review: “Complete Unknown” — The Merits of Metamorphosis

September 1, 2016
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An engrossing film about the choices in life that we make — and don’t make — starring Rachel Weisz and Michael Shannon.

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