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“Amar Singh Chamkila” doesn’t hit the compelling heights of “Highway” and “Tanasha,” but the director Imtiaz Ali successfully infuses — within the limits of the musical biopic — a buoyant, rebellious spirit.
Read MoreIf “La Chimera” is a bit harder to penetrate than the director-writer’s previous works, it boasts some captivating passages and raises pertinent questions about art, history, globalism, and national identity.
Read More“Ripley” is one of the most entertaining and finely-wrought thriller series to come from Netflix in years.
Read MoreThis book is a fiery manifesto that charges that copyright law today is an outrageously unjust scheme that does nothing for 99 percent of authors, other creative people, and their fans, while it locks up a commodity that fills the coffers of large corporations.
Read MorePianist Noah Haidu’s impeccably performed and recorded “Standards II” is a winner.
Read MoreThe Aussie teen soap falls victim to the dreaded sophomore slump.
Read MoreThis week’s poem: Andrew K. Peterson’s “After H.D. and Meat Loaf”
Read MoreWho would predict that this perfectly calibrated tale would be yanked out of its early 20th century setting and become dystopian science-fiction?
Read MoreThe renowned duo of Jay Ungar and Molly Mason perform what has been called American Roots music. But they’ve also been known to include traditional folk and ’40s jazz.
Read MoreIn this dreamworld, the politics don’t matter. It’s the artfully gruesome spectacle that counts — that and the hackneyed Hollywood storyline about the hardened veteran mentoring the neophyte through an initiation into the harsh realities of the profession.
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