The Waterboys has always existed as Mike Scott’s vehicle for his egalitarian musical vision.
Any traditional notions of what does, or does not, constitute a book are challenged here — you will find yourself searching for a definition that fits.
Nell Zink’s latest novel is vast, aspiring to epic stature — it’s a curious take on the times that have befallen us.
Heard as a Miles Davis record pure and simple, Rubberband is one of the strongest from the comeback period.
Looking at that photo now, soon after the anniversary of her death, Aretha’s shutter-snap of connection with me seems a blessing.
Class pressures are exerting themselves, class fault-lines are emerging, and ancient demons are being released as a result.
Octave is issuing twelve sessions (“newly restored and expanded”) of Erroll Garner material from the ’60s and ’70s, when the popular pianist was at the height of his career.
Arts Fuse critics select the best in film, dance, visual art, theater, music, and author events for the coming weeks.
For me, about half of the compositions here successfully reflect the artistic visions of the painters that inspired the music.
Satanic Panic is a crazy ride, managing along the way to poke fun at the lifestyles of the rich and bored, reminding us that decadence among the upper classes is very scary indeed.