Dance
Black + White from the Fernanda Ghi Dance Company was provocative, dramatic, and oh-so-mysterious.
Read More
The performance I saw on Friday night revealed Boston Ballet’s priorities: while the dancers possess a high degree of technical skills, they have a looser notion of nuanced acting.
Read More
Anne Teresa De Keersmaeker invites the audience to let go of outside distractions and meditate on our own deeper feelings.
Read More
Red Sky Performance’s hold-your-breath physicality provides plenty of “wow factor.”
Read More
Gallim specializes in depicting raw emotions through movement.
Read More
A passion for authenticity characterized this mesmerizing program from beginning to end.
Read More
Fresh from choreographing a Tony award-winning revival of Oklahoma!, John Heginbotham presents a world premiere in the Hopkins Center for the Arts at Dartmouth College.
Read More
In this piece, Peter DiMuro asks a vital question: how has history informed the ways we look at queerness today?
Read More
The horrors portrayed in See You Yesterday are facts, but this show does not yet address the meaning a new generation can make of those facts.
Read More
Here was another (all-too) typical example of ballet companies reinforcing a patriarchy that hardly reflects the number of women in their ranks.
Read More