An intriguing cross-disciplinary concept gave birth to a pallid, underrehearsed production.
Sutra was a curious mix of reverence and virtuosity, lavish movement and intricate music — over an hour’s worth of changing forms. I found it intriguing and untrackable.
We were reminded of how difficult it is to create an evening-length’s choreography without a storyline, musical structure, or a well-developed concept
Kelley Donovan believes every dancer should own her movement, not just perform it.
This Hopkins Center production will be the US premiere of Dada Masilo’s much-anticipated reimagined version of Giselle.
What a treat to see choreographers of different generations concentrating on ballet itself and asking the audience to appreciate what ballet can do.
The show, organized by associate director of BB II Peter Stark, was built to show off the talents and challenge the performing chops of the young dancers.
“I’m trying to be at peace with not being a happy person. It’s ok to not be happy but to do something for the betterment of humanity.”
Performance has always included sex and physicality in its attractions. Koubi’s work tries to move the spectators to a higher level.
A quartet of critics serve up the highlights in dance for 2017.