“The best of the regular theater critics … the brightest America ever had.” – Eric Bentley “Intelligent play-goer number one.” – George Bernard Shaw “The truth is that Mr. Nathan is both a theatrical storehouse, full of the most voluminous and astonishing information, and a whole theatre in himself. He maintains an impetus and lustre […]
Those who think that accolades should go to the fresh or the marginal — work in Boston that could use the recognition rather than the usual suspects — will have a long wait.
The weakness of the play is so shockingly transparent –- the love birds spend most of the play orating their (occasionally) steamy letters to the audience –- that the explanation must be that Brand Shakespeare has struck again: companies figure that anything about the Bard will draw a crowd. by Bill Marx I wanted to […]
Who cares how the chairs are arranged or even who sits on them on the deck of the Titanic-“Globe”? As the popularity of online publications and blogs grows, the “Globe”’s tepid cultural coverage has become increasingly superfluous.
Revving up marketing machinery raises some uncomfortable questions: Why should donors give funds to a theater if their money is going to pay for focus groups and demographic studies rather than to support the work of artists?
By Bill Marx On June 21, the Boston Foundation announced that the Citi Performing Arts Center (CPAC, formerly the Wang Center for the Performing Arts) would be receiving $225,000. This is not only the largest single grant given to any institution for the quarter; it is the most money (by a long shot) the Wang/CPAC […]
Crime memoirs about Irish mobster Whitey Bulger have become a corrupt and pathetic cottage industry. By Jay Atkinson A large, jowly, humorless man of 49, Kevin Weeks, the one-time go-fer and strong arm for the notorious Boston crime boss, James Whitey Bulger, hurt and maimed people for a living. While his boss ran most of […]
A new dance show by Rennie Harris serves as a valuable response to MTV’s commercialization of hip hop.