As a River is a sensuously and smoothly written book, a heartfelt meditation on what divides us from each other and from love.
Nell Zink’s latest novel is vast, aspiring to epic stature — it’s a curious take on the times that have befallen us.
Class pressures are exerting themselves, class fault-lines are emerging, and ancient demons are being released as a result.
The book deals with how Atheists, Wiccans, Summums, Muslims, and Satanists “fought to have their voices heard” in communities dominated by Christians and others who were skeptical of their claim that the First Amendment applies equally to all religions.
For anyone interested in the man or that era, De Gaulle is indispensable.
Johnny Hodges was originally a Cambridge/Boston guy, and one of the most interesting sections of Con Chapman biography is his knowledgeable description of the local jazz scene in the 1910’s and ’20s.
Colson Whitehead’s work is political in the sense that he has an incredibly keen eye for the insidious ways in which institutions and structures of power work.
A new biography of the oft-forgotten ‘filibuster’ provides ample facts and little thesis. Is that enough — don’t we need more?
To have such a remarkably courageous voice as Lucette Lagnado’s silenced forever at such a young age is, simply, not fair.
Robert Macfarlane’s ability to limn the pull between beauty and cataclysm provides a dynamism that elevates this book well above the level of simple “nature” writing.