Tim Jackson
“Sasquatch Sunset”‘s directors claim they were interested in respecting the universal connection between man and nature, albeit with plenty of humor.
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The director did his research: he rode with EMTs so the Asphalt City’s grim vision is real and convincingly ramped up.
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Walking a fine line between fiction and documentary, director Sacha Polak has fashioned a film that is achingly real because it evokes life’s unpredictability.
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“Drums & Demons” is at times frustratingly unclear on dates, but its research is comprehensive about the brilliant career and disasterous end of drummer Jim Gordon.
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Director Alexander Payne and star Paul Giamatti excel at this kind of character-driven comedy/drama.
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Director Maggie Betts has much to keep in check – a courtroom drama and an exposé of corporate greed and racial politics in Mississippi.
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With exception of one narrative chiller, and a look at singer Karen Carpenter, the best films I saw were documentaries on the lives and careers of significant African-Americans.
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Five reviews of the kind of films that the Provincetown Film Festival celebrates. Their stories speak to our shared humanity.
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Kerry Howley’s expose is a vibrant report on the chaotic and often disquieting world of surveillance and national security.
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The Worst Ones is a distinctive cinematic achievement – it is deeply moving film that offers a critique of itself.
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