Peter Walsh
Life, Death & Revelry explores the aura of the Farnese Sarcophagus from several points of view, including those of the conservators who recently cleaned it of decades of accumulated grime.
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To modern sensibilities, Frederic Edwin Church’s field sketches and early studies, with their virtuoso spontaneity and unmediated naturalism, may have more appeal than his epic paintings.
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Mary Lee Bendolph’s designs are stunning works of contemporary design, lacking any taint of provincialism, with as much visual sophistication as you would find in any New York gallery.
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The delightful Wadsworth installation is a fitting setting for the beloved artist and illustrator and the work he himself loved.
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There are no angels in Mark Rothko’s work: only the ascendancy of glorious color.
Read MoreNothing of value, it seems, was out of the reach of J. Pierpont Morgan’s acquisitive grasp.
Read MoreThe premise of the show, and especially the catalogue, is to put Corita Kent her rightful place in the pantheon of major American Pop artists
Read MoreIn Van Gogh and Nature, human beings play a supporting role. Sometimes moths, butterflies, and poppies are the stars.
Read MoreIn Arlene Shechet’s mischievous hands, the medium’s power as a shape shifter runs wild.
Read MoreWalking, the deCordova’s fascinating and wonderfully worked out exhibition suggests, is deeply subversive of the status quo.
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