Jean-Philppe Blondel’s books are especially praised by critics for their charm and smoothly-shaped prose.
In more pedantic hands, Little Dancer Aged Fourteen could easily have been a tedious and frustrating read. Instead, despite the dense and ultimately inconclusive source material, the book is continuously fascinating.
Despite its serious treatment of surreal art, Monsters & Myths is a real delight.
Life, Death & Revelry explores the aura of the Farnese Sarcophagus from several points of view, including those of the conservators who recently cleaned it of decades of accumulated grime.
To modern sensibilities, Frederic Edwin Church’s field sketches and early studies, with their virtuoso spontaneity and unmediated naturalism, may have more appeal than his epic paintings.
Mary Lee Bendolph’s designs are stunning works of contemporary design, lacking any taint of provincialism, with as much visual sophistication as you would find in any New York gallery.
The delightful Wadsworth installation is a fitting setting for the beloved artist and illustrator and the work he himself loved.
There are no angels in Mark Rothko’s work: only the ascendancy of glorious color.
Nothing of value, it seems, was out of the reach of J. Pierpont Morgan’s acquisitive grasp.
The premise of the show, and especially the catalogue, is to put Corita Kent her rightful place in the pantheon of major American Pop artists