Noah Schaffer
Members of anti-arts Right are incensed by the stimulus funding going to Washington D.C.’s Kennedy Center for the Arts. And they’re right.
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“People love a story, they always have, and always will, and stories are an essential ingredient in this folk music revival, which started sometime in the early ’50s.”
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Michael C. Smith’s new Boston Carnival photo book proves that “Culture Lives Here.”
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As a capella singers, they have taken their musical ministry — and its repertoire of 500 songs — to streets, subway stations, picnics, community clean-ups, and anywhere else they might find an audience who appreciated a musical message.
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“You don’t really know how to perform bluegrass until you interact with others.”
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Septuagenarian, Edwin Ayoung, better known as Crazy, easily carried the rest of the night with his exuberant performance.
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The volume is devoted to print ads and event flyers for local eateries, concert venues, theaters, stores, and community events that were printed in the ’60s, ’70s and ’80s.
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Disco is back in town! DJ Joey Carvello returns to Boston and the compilation Boston Goes Disco! is released.
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Toots Hibbert’s voice expresses both his Jamaican country church upbringing and his deep love of American R&B and soul.
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Arts Remembrance: Darick Campbell — Quiet Giant of the Sacred Steel Guitar
Darick Campbell was one of the Campbell Brothers, the Rochester-based group whose emergence on the roots music circuit in the late ’90s played a major role in the mainstream discovery of the sound known as “sacred steel.”
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